All BECCAFUMI, Domenico 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
4990 Birth of the Virgin dfgf  Birth of the Virgin dfgf   c. 1543 Oil on wood, 233 x 145 cm Accademia, Siena
4997 Fall of the Rebellious Angels gjh  Fall of the Rebellious Angels gjh   1540s Oil on wood, 347 x 227 cm Pinacoteca Nazionale, Siena
4998 Madonna with the Infant Christ and St John the Baptist gfgf  Madonna with the Infant Christ and St John the Baptist gfgf   c. 1540 Oil on panel, 90 x 65 cm Galleria Nazionale d'Arte Antica, Rome
4995 Moses and the Golden Calf fgg  Moses and the Golden Calf fgg   1536-37 Oil on wood, 197 x 139 cm Duomo, Pisa
4993 St Lucy fgg  St Lucy fgg   1521 Oil on wood Pinacoteca Nazionale, Siena
4991 Stigmatization of St Catherine of Siena  Stigmatization of St Catherine of Siena   c. 1515 Oil on wood, 208 x 156 cm Pinacoteca Nazionale, Siena
4992 Tanaquil gffn  Tanaquil gffn   1519 Oil on wood, 92 x 53 cm National Gallery, London
4996 The Annunciation jhn  The Annunciation jhn   c. 1545 Oil on wood SS. Martino and Vittorio, Sarteano (Siena)
4994 The Holy Family with Young Saint John dfg  The Holy Family with Young Saint John dfg   around 1530 Oil on panel, diameter 84 cm Galleria degli Uffizi, Florence
4989 Trinity (detail) df  Trinity (detail) df   1513 Oil on wood Pinacoteca Nazionale, Siena
4988 Trinity fgj  Trinity fgj   1513 Oil on wood, 152 x 228 cm Pinacoteca Nazionale, Siena
BECCAFUMI, Domenico
Italian Mannerist Painter, ca.1486-1551 Domenico was born in Montaperti, near Siena, the son of Giacomo di Pace, a peasant who worked on the estate of Lorenzo Beccafumi. Seeing his talent for drawing, Lorenzo adopted him, and commended him to learn painting from Mechero, a lesser Sienese artist.[1] In 1509 he traveled to Rome, but soon returned to Siena, and while the Roman forays of two Sienese artists of roughly his generation (Il Sodoma and Peruzzi) had imbued them with elements of the Umbrian-Florentine Classical style, Beccafumi's style remains, in striking ways, provincial. In Siena, he painted religious pieces for churches and of mythological decorations for private patrons, only mildly influenced by the gestured Mannerist trends dominating the neighboring Florentine school. There are medieval eccentricities, sometimes phantasmagoric, superfluous emotional detail and a misty non-linear, often jagged quality to his drawings, with primal tonality to his coloration that separates him from the classic Roman masters.



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